Category Archives: Writing resources

Wine, Space and a Cat Joke

My take on our poetry workshop

Maria wonderfully captured the poetry workshop we attended recently through the Burlington Public Library: Lynda Monk’s welcoming and positive approach; prompts that inspired our writing; our collective “affirmative noises” throughout the session.

Like Maria, I had also hesitated attending, but not for the same reasons. I don’t have a “prejudice against poetry”. I dabble from time to time and submitted my Your House is Not My House poem as pages for a Restless Writers meeting not that long ago. I also don’t hate journalling. While I may not journal every day, I am an “out loud” thinker, and when no one wants to listen, my journal pages are always willing.

I hesitated to participate because my brain prefers the ordinary. On the evening in questions, she said, “You’ve worked a long day. You’re tired. Wouldn’t you rather settle in to a night of watching Derry Girls episodes? Plus, you’ll have to do the dishes if Maria is coming over.”

But Maria had texted and offered to bring wine. So, what was I going to do? Say no? That’s funny. And I’m glad she did – come over, I mean. Not just bring the wine. (That said, Riesling on a Tuesday evening is a nice treat.)

For me, the gift of Lynda’s workshop was allowing in quiet and connection. It was a needed opportunity to tell my work and home brains to take 60, go commiserate about me over their own glasses of wine, and let me enjoy mine.

Lynda talked about how visceral poetry is. That it cuts to the essence, reveals the unspoken and digs into the senses. She shared this quote by Allen Ginsberg, “Poetry slows me down and brings me back to myself.” For me, on that Tuesday, I didn’t realize how fast I’d been moving until I followed Lynda’s instruction to close my eyes, listen to her recite Mary Oliver’s Wild Geese poem and write down any words or lines that stood out to us. That’s when I felt my breath deepen, and my body settle into her voice as I became drawn in by the verse.

And in that open space, she invited us to paint our own pictures through the prompts she provided. “I dwell in the possibility of…” “Silence is like…” or to fill in the blanks, using Jane Kenyon’s Otherwise poem as a template. Some participants chose to share what had sprung up in their writing. Usually, I’m one of them, but on this night, I was with the others who chose to simply listen and absorb.

To me, poetry is about presence and play. Experiencing it and then toying with the words, the shapes, the sounds, the spaces. You can choose the structure of a haiku or dance freely with your own use of the page, colour, fonts.

Toward the end, Lynda summarized our experience in the “5 Things to Practice to Free Your Inner Poet”:

  1. Breathing
  2. Stillness
  3. Listening
  4. Receiving
  5. Giving

These were the reminders I forgot I needed. Through this workshop, I expanded and found new creative energy. Maria opened up her imagination.

I encourage you to give yourself the gift of a writing workshop. Many are free or inexpensive and offered by local libraries or authors looking to inspire other writers. Maybe pick one that isn’t in your usual wheelhouse. You can certainly take one alone, or better yet, invite a fellow writer who never comes empty handed.

When it was done, Maria and I shared what had resonated with us from the workshop. We also shared some of our own verses inspired by the prompts. Maria, who is skilled at bringing levity to the heavy, wrote a a melancholy piece about a solitary meal, mixed with a little gratitude for her cat.

“The cat and I ate dinner,” she recited stone faced. “Not the same dinner. We both had tuna.”

I burst out laughing at her unexpected ending. Maybe you had to be there, but it was hilarious and one of the highlights of the evening! After finding a tissue to wipe my tears, and saying goodbye to Maria, I pondered what may be my next poem: I dwell in the possibility of wine with a friend.

Cheers!

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Filtering out the no(i)se

Did you know that you can always see your nose?

Made you look! Or rather, made you notice.

Your nose is always smack-dab in the middle of your field of vision, but your brain chooses to ignore it most of the time. (You can learn about the phenomenon here.) That’s because it’s expected sensory information. Your brain doesn’t need to register your nose (unless something’s going on with it, like maybe there’s a butterfly perched on it) so your brain filters it out in order to be more efficient.

After all, your brain can’t be expected to actively report on absolutely everything it comes across all the time. And you don’t want it to. You want your brain to clue you in to the important stuff, like the sign-post you’re about to walk into, the twenty-dollar bill lying on the sidewalk, or the fact that your duck a l’orange is burning to a crisp.

This ability – called unconscious selective attention – means your brain can safely ignore unnecessary inputs so it can handle the important stuff.

(Interested in this concept? Read more here. The invisible gorilla experiment is also pretty cool.)

Why do our brains do this?

Unconscious selective attention can help you focus on your writing efforts. Most writers need quiet, calm spaces in which to work, and those spaces are increasingly hard to come by. But this is when your brain gives you a helping hand. You’ll be able to edit out unimportant background noises that might be preventing you from concentrating, like the chatter in your local coffee-shop or the lawnmower outside your window. It also means you aren’t distracted by the colour of the rug, or the hum of the HVAC system, or the fact that you’re wearing slippers.

But you might want to think differently about selective attention when it comes to your writing.

This is one place where you want to consciously select the information your reader should notice. It’s your job to point out that background information when it will enhance your writing.

When should you pay conscious selective attention?

  • When you want to make a description of your setting richer. What sounds percolate through the scene? Is there a unique quality to the light, or a scent to the air? Bring some of that sensory flavour to the foreground.
  • When you want to build suspense. A ticking clock. The lack of birdsong. A hum in the air. The sun slowly going down. Adding these barely noticeable layers to your scene will give your readers a sense that something is about to happen.
  • When you want to slow the pace down. Is your character taking a moment to reflect on a decision or remember the past? Take note of the small gestures and non-critical elements to give the scene a meditative quality.

Take a moment to notice the things that your brain is helping you ignore for efficiency’s sake. Your writing will be the better for it.

Maria

Photo by Patrick Tomasso on Unsplash

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The fear is real

Photo by Vadim Bogulov on Unsplash

Dig into your characters’ phobias to add depth, detail, and humanity

Content warning: This blog post touches on some common and not-so-common phobias. If you struggle with a phobia, feel free to skip this post. Also, I recognize that phobias are anxiety disorders and can impact a person’s life in profound ways. My writing here is meant to explore, in a light-hearted manner, the ways that writers can grant characters life and depth by giving them a phobia. In no way is this meant to downplay the very real impact that phobias and anxiety can have.

I have a phobia of bees.

Yes, all bees. Even bumblebees, those guileless panda bears of the apian world.

All stripey stinging insects set me off. In fact, if anything buzzes near or past me, whether it’s a fly, hummingbird, or a slight breeze, I’ll do my little frantic bee-flee dance until it’s gone.

The origins of my fear of bees lurk deep in my psyche, and I may never know why that part of my lizard-brain responds to a buzz. But I have a theory. My phobia may derive from a childhood visit to the local pick-your-own apple farm. I got lost in a “corn maze” and was swarmed by big angry wasps. My young and impressionable self was confused and trapped in a dark, creepy, fire-hazard labyrinth, and attacked by flying monsters. Even though I ended up with only a few stings, the experience stuck with me. No wonder my instinct is to run away.

My friends can get pretty impatient about this phobia, especially if we’re trying to enjoy a lovely summer evening outside on a patio. It’s okay, I get it. I’d be irritated by me too.

Pretty much everyone’s got a phobia – or phobias. Whether it’s bees (apiphobia) like me, or clowns (coulrophobia), dentists (dentophobia), teenagers (ephebiphobia), holes (trypophobia), or books (bibliophobia), a phobia is a uniquely human condition.

For some people, phobias can lead to intense symptoms – from chest tightness, racing heartbeat, and difficulty breathing, to anxiety, confusion, and dread. Phobias vary in terms of degree too. They can be a mild irritation or have a debilitating impact on a person’s day-to-day life, or anywhere in between.

As writers, we aim to create colourful, relatable, flawed, complex, and authentic characters. As you build out your characters, you might want to think about whether or not they have a phobia, and what that phobia means to their life and their story.

Here are 8 ways a phobia can add depth and layers to your characters and your story:

  1. Internal conflict: Your whole story might focus on a character’s struggle to overcome their phobia, which may have been brought on by an unresolved trauma of the past. A detective who comes face-to-face with his fear of confined spaces. A parent who must combat their agoraphobia to keep her daughter safe. A child prodigy pushed into a musical career by over-ambitious parents must fight their fear of loud noises.
  2. Relatability: Some phobias can help to make a character relatable or humanly flawed. An estimated 77% of people have a fear of public speaking (glossophobia), so giving your character a case of nerves before a big speech would make them pretty darn human.
  3. Comedy: While it’s never nice to mock the afflicted, a character’s phobia can give you plenty of opportunities for humour – whether it’s slapstick, gross-out, physical, punny, or ironic. Some of those opportunities are driven by the kind of phobia at play. For instance, trichophoba (fear of hair), decidophobia (fear of making decisions), and chronomentrophobia (fear of clocks) all seem like they could lead to some laughs. Just try not to be mean about it, gosh.
  4. Horror: The opposite is also true. So many horror elements derive from phobias. Spiders, snakes, sharks, clowns, garden gnomes, mirrors, demons, dolls, blood, the dark, fire, sleep – you name it, and there’s probably an absolutely terrifying horror story to write about it. And if the phobia doesn’t exist yet, just make it up. Guaranteed you’ll scare the pants off someone.
  5. Motivation for action: Writers must regularly shove characters into shitty situations to drive the plot and reveal the character’s growth and transformation. Having a character encounter their phobia will lead them to take an action. That action could be retreat, charge ahead, cry, faint, scream, what have you. The action your character takes in response to a phobia can provide a transition into the next beat of the story and provide deeper insight into your character for the reader.
  6. Signature quirk: A phobia can also be a kind of personal branding for your character. Indiana Jones Jr.: afraid of snakes. Indiana Jones Sr: afraid of rats. Ron Weasley: afraid of spiders. Wolverine: afraid to fly. Peter Pan: afraid of growing up. Maria: afraid of bees.
  7. Revelation: Your character’s phobia can be a clue to be unravelled over the course of the story. It could be the key to a shocking childhood accident, a genetic link to another character who has the same phobia, or the real reason why a villain does what she does. Go deeper, and make it matter.
  8. Novelty: If you ever feel stuck for an idea for a story, just google “list of phobias” for instant inspiration.

It’s easy for me to write about a character who’s afraid of bees (or sharks, deep water, or the shrill of my smoke alarm), because that’s what I struggle with. As I proceed with my WIP, I’ll be challenging myself to open my mind to other types of fears that my character could have, and all the ways that I can make my character more human.

Hippopotomonstrosesquippedaliophobia (fear of long words), anyone?

What are your characters afraid of?

Maria

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Character development: COVID style

When I was in theatre school, each time we took on a new part, we had a list of questions to answer to help us analyze and begin to embody our characters. Questions like:

  • What is my educational background?
  • How much money do I have?
  • Who is my hero?
  • What’s my favourite colour and why?
  • If I were an animal, which one would I be?
  • What’s my biggest pet peeve?

While I haven’t been on stage for a while, I am writing a play…in the middle of a pandemic. And even though I don’t want to accept the reality that family Christmas dinner will be done over Zoom, I can accept that I have been given a new set of questions to answer about my characters:

  • Would they wear a mask? If so, what kind of mask – N95 or homemade?
  • How many swab tests would they have gotten by now?
  • Would they punch anyone at Costco for toilet paper?
  • Would they host parties despite gathering restrictions?
  • How many bottles of hand sanitizer would they have gone through?
  • If they have kids, would they allow them to physically go to school or would they choose online?
  • Would they have bought a puppy?
  • Would they be first to line up for the vaccine?

Despite our current state of affairs and the overall unrest it has caused, as writers wanting to create characters that reflect our humanity, the answers to these questions can guide us.

All around us is conflict, paradox and controversy. The stuff of novels we can’t put down. So, while we wish this virus was Orwellian fiction, we might as well accept what gifts we can for the sake of our craft.

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Me & CBC

This Huffington Post article by Amy Wruble, 40 Effed Up Things About Being 40, is making the rounds on my Facebook feed. It made me laugh. I just turned 40 last year but found myself relating to many of Amy’s observations – the correlation between the ingestion of pancakes and my waist size in particular. May my old metabolism rest in peace.

There is one more item I would add to this list – not so much “effed up” but definitely in the category of a “new trend” for me since I turned forty. I have become a fan of CBC Radio. That’s right, I said it, I am a late bloomer to CBC Radio.

It’s not that I didn’t know it existed, it’s just that growing up I largely considered CBC Radio to be “boring” and for “old” people. I like to think I was just wrong all these years, of course it may be that now I am old and boring but either way CBC Radio is suddenly appealing to me and often the first thing I put on the radio when I get into the car.

I’m still learning my way around the programming schedule but am super happy when I land on shows like The Next Chapter with Shelagh Rogers or Writers & Company hosted by Eleanor Watchel. These programs offer up a great forum for discussions with authors. I love hearing about what compels them to write and inspires their stories and characters. Studio Q with Jian Ghomeshi is also a great place to hear fantastic interviews like this one with Khaled Hosseini  (Kite Runner, And the Mountains Echoed) last week.

Turns out there’s a whole world of radio/talk shows for writers out there, just opening up to boring-old-40-year-old me. Here are just a few that I found. I’d love to hear from others about their favourites.

Talk Shows for Writers (www.freelancewriting.com)

Best Podcasts for Authors (http://www.bookbuzzr.com)

5 Must-hear Podcasts for Writers (http://www.fromthewriteangle.com)

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A picture paints a thousand words: how to use Pinterest as a writer

pinterest-catsThe last thing I want as a writer is another social networking platform to worry about. I have enough distractions, thank you very much. And so it begins…

With a little persuasion from Maria, I have started “Pinning.” I’m using Pinterest for my writing research. Sure, I’m creating personalized boards and pinning my favourite DIY ideas but I’m also pinning research visuals and catching on to why this popular online space might just be a useful resource for me as a writer.

Unlike most social media platforms, Pinterest is all about the imagery, and not the text. And who doesn’t love pictures! With its visual focus, it may seem counterintuitive that Pinterest would be great for writers, but I’m quickly learning how this tactic is proving to be a rich resource, particularly in the creative stages.

Creating visual pin boards can be a great way to help fuel your imagination and give readers a glimpse into your creative process. Here’s a glimpse at my board to give you an idea.

Now it’s your turn to “Pin It!”

Here are 8 ways that Pinterest can be useful to you as a writer.

1. Research. People (actors that represent your characters). Places (images of similar settings). Things (objects or time period references). Mood (scenes that create atmosphere and emotional overtones).

2. Motivation. Inspirational quotes and wisdom as a way to inspire and remind yourself why you write and what you want to accomplish.

3. Collaboration. Invite other writers to pin to your board and make comments. Organize writing teams and pitch ideas. Provide incentives (free books) to fellow writers.

4. Booklists. Market research and comparables to your book. Or books you want to read!

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5. Promotion. Images of your blog, posters, flyers, business cards, book covers, and book tour photos.

6. The Writing Life. Pin the view out the window from your desk. Your bookshelf. Your real-life storyboard/pin board. Or even your cat asleep on your laptop.

7. Stay current. Using the “Popular” feature on the Pinterest home page, you can instantly access the latest trends from all genres.

8. Connect with your fans. Pin boards show your personality and interests. It’s a great way to connect with others and express what you care about.

How do you use Pinterest? Feel free to share links to your pin boards in the comment section. We’d love to check them out!

B Jas

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Keeping it short: A contest and some resources for on-the-go inspiration

“Short fiction seems more targeted—hand grenades of ideas, if you will. When they work, they hit, they explode, and you never forget them.”

Paolo Bacigalupi, American science fiction and fantasy writer

Here’s a contest for those who like to write in short form—the Little Bird Writing Contest. Created by award-winning Canadian author Sarah Selecky, Little Bird showcases the work of emerging short fiction writers. Submissions will be accepted until March 31, 2013.

The first step is to sign up for Sarah’s daily writing prompts—your story must feature one of the prompts.

Next, take advantage of the free resources on Sarah’s website. Her Deep Revision e-mail series, designed to help you refine your story, is already underway. Her e-book, “The Incomparable Short Story,” has some essential tips for writers. You can also listen to a recording of the March 1 Little Bird Salon, a teleconference where she and contest judge Alix Ohlin answered questions from callers-in around the world. If you’re looking for a targeted online writing course, read more about Story Is a State of Mind.

And finally, submit your best work! Check out the Little Bird web page for submission guidelines and resources.

Looking for short inspiration on the go?

  • Every Day Fiction: Every Day Fiction is a magazine that specializes in presenting fine fiction in bite-sized doses. Every day, they publish a new short story of 1,000 words or fewer. You can sign up to receive a flash fiction story in your inbox every day. http://www.everydayfiction.com/
  • The NUB: The Nub is the first independent arts and culture smart phone/tablet application in Canada. The Nub provides users a new piece of writing each day from five of Canada’s top independent arts and culture magazines: Broken Pencil, Geist Magazine, Subterrain Magazine, Matrix Magazine, and Taddle Creek Magazine. Get the app for iPhone/iPad or Android devices today: http://www.brokenpencil.com/thenub

Maria

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Confession Time

I dumped the entire contents of my purse on the floor of my doctor’s waiting room this week. Embarrassing? Yes. But there was a silver lining. While I was crawling on the ground (in a skirt!) gathering up the little pieces of my life, I made a few choice discoveries, including a $50 gift card for The Bay that was MIA since last Christmas and the head of my son’s much-coveted Darth Vader Lego figurine. Better than this though, I also found my ideas—long-forgotten writing ideas for book plots and characters that I’d jotted down on the back of receipts and sticky notes.

I have a habit of doing this. If you came to my house, you would find more of the same random notes on my bedside table, my phone, my laptop and in the back of my agenda for work.

This system for organizing my writing ideas is about as effective as it sounds – chaotic and unreliable. My notes, if I even remember that I’ve made them, are never where I think they should be when I want them. In fact, right now I am leafing through my agenda in search of a bright yellow sticky note that had some great ideas on it for this blog post. Ah, actually found it—crumpled at the bottom of the bag I cart back and forth to work every day.

Clearly, I am in need of some sort of system to help organize my writing.

I turned to my fellow Restless Writers to see how they keep track of their projects.

Maria wondered if a binder qualifies as a system—I say yes. In her binder Maria says she keeps hard copies organized according to the working title of the piece, including previous versions, all dated.  Beckie relies on file folders, storing notes and papers in folders, one for each writing project.

A quick Internet search tells me there is a myriad of stuff out there for people just like me. Programs like Evernote, Mindjet, and an eBook The Oraganized Writer that promises 30 days to more time, money and less frustration. There is even a mobile app Werdsmith, created for writers to help them keep track of ideas whenever inspiration strikes.

Do others have organizing systems they’d be willing to share? What works for you?

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Spread the Light

Do you like to write poetry? Are you on Twitter?

Consider joining in a collaborative Twitter poem Wednesday June 20, 8 – 10 pm EST, in celebration of the solstice. The theme, naturally, is Light.

How does this copoem work? Simply get on Twitter and tweet a line or two of original poetry. Make sure to include the hashtag keyword #copoem in your tweet so it doesn’t get lost. (If you search using the hashtag key you will be able to see what others have written too.)

Afterwards, the tweets will be gathered and stitched together – perhaps with an edit or two – and the final poem will be posted at www.karenkachra.com. Who knows what we’ll come up with…it’s an experiment!

Thanks to Tara T. @tara_in_canada for this fun idea and Karen Kachra @karenkachra for organizing everything!

Happy Solstice,
The Restless Writers

ls

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Filed under Author events, Calls for submissions, Inspiration, poetry, Writing ideas, Writing resources

If You Want an Agent, You Need Backspace

I learned about the Backspace Writer’s Conference the way I learn about most things: Twitter. An author I follow tweeted about his new agent and his blog detailed the experience (Backspace played a huge role).

I cannot emphasize enough what an amazing opportunity this conference provides to authors looking for an agent. Unlike most writing conferences that offer a couple of anxiety-ridden pitch sessions, Backspace provides genre-specific workshops where authors spend hours having their query letters and opening pages critiqued by agents seeking new clients.

Not all participants receive offers of representation, but at the very least they should come away inspired and informed enough to make their manuscript query-ready. I received multiple requests for my women’s fiction manuscript, but of equal importance was the opportunity to connect with writers who have become beta readers, cheerleaders and swoon-worthy drinking buddies.

I’ve also completed a children’s chapter book that I’m ready to query, but only YA was being represented in the workshops. Luckily, Backspace offered agent/editor panels on both days and writers were able to pitch their work to them following the sessions. This allowed me to connect with agents who represent children’s fiction (more referrals and requests for pages).

Since I went totally budget on the accommodations and was able to score a cheap flight, the entire conference cost me just over $1,000—obviously a significant chunk of coin, but think of it as an investment in yourself…that’s how I sold it to my husband 😀

LD

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Filed under Author events, Getting published, Inspiration, Motivation, Starting up, Writing resources