Tag Archives: book spine poems

Fellow Restless Writer Andrea and I had signed up to attend a virtual workshop hosted by our local library called “Prompts to Find Your Inner Poet.” I almost didn’t join in, for two reasons: one, I am still working to get over my prejudice against poetry; and two, the workshop was being led by Lynda Monk, a coach, speaker, facilitator, and author who is passionate about journalling – and I hate journalling. (Raise your hand if you’ve ever felt traumatized by Julia Cameron and her morning pages.)

Fortunately, I gave myself a rousing pep talk, convinced myself that it was only for an hour, grabbed a bottle of wine, and headed over to Andrea’s house, so we could attend online together.

The workshop, held last week, was well attended – about 35 people – and Lynda gave a gracious, welcoming, and warm introduction to the workshop. She told us there would be writing exercises (which I was eager to dig into) and that “we are all poets in some way.”

If I had expected the event to be cringey, it wasn’t. Lynda opened by asking us to reflect on “what is poetry?” She described a type of literary expression that is resonant, captures beauty and emotion, helps us feel “aliveness” and connection, and speaks to the “unspoken”: the “spaces in between and around experiences, thoughts and feelings.” She outlined a plain language understanding of poetry that was immediately accessible.

Lynda shared one of her favourite poems – “Wild Geese” by Mary Oliver – and asked us to reflect on what stood out for us in the poem. A word, a phrase, a feeling? She shared that the poem evoked a sense of quiet, and that everyone needs to be able to access that kind of quiet in order to write.

She returned to this concept later in the session when she talked about the white space on one of the presentation slides. “Our creative selves need white space, where we can recognize what we have within our hearts to say.”

Throughout the session, Andrea and I would make little affirmative noises in response to some piece of insight that Lynda shared about poetic language. I found Lynda’s approach to talking about poetry, and encouraging each of us to explore new poetic prompts, to be the opposite of cringey. She was engaging, positive, non-critical, practical, and inclusive.

One takeaway for me was what Lynda had to say about the transformative effects of poetry. To paraphrase, poetic writing can transform what we’re feeling into something else (e.g. writing about a negative experience can turn it into a positive one), and poetic writing can transform ourselves, by altering our perceptions about our own experiences and emotions.

The writing exercises were intriguing and fun – Andrea and I agreed we should share the prompts at a future Restless Writers’ meeting.

• Take the first line of your favourite poem, and use it as a prompt for your own poem. Lynda used Emily Dickinson’s “I dwell in Possibility” as the line prompt.
• Use the structure of an existing poem as a template for your poem. “Otherwise” by Jane Kenyon was the perfect prompt to have us imagining our own alternate lives.
• Cut words out of a magazine or newspaper, and paste them into poems in different shapes. (Ahem, an idea for the next Restless Writers’ holiday craft night?)
• Create a “book spine poem.” This was another exercise Lynda encouraged us to try on our own time – you take books from your shelves, and make a poem out of their titles. Mine is below.

Principles still missing.
How did that happen?
The novel cure underland, surrounded by idiots, sediment in streams.
Do not disturb the big thing.

I’m thankful I talked myself into joining the workshop, and I’m thankful for Lynda’s generous and gentle approach. It opened up something in my imagination and in my writing that I might have been repressing. I’m looking forward to exploring more poetic writing this spring.

Maybe I’ll even give journalling another go. But no promises.

Which of the poetic prompts above will you try?

Maria

PS: Learn more about Lynda here.