Monthly Archives: May 2024

Wine, Space and a Cat Joke

My take on our poetry workshop

Maria wonderfully captured the poetry workshop we attended recently through the Burlington Public Library: Lynda Monk’s welcoming and positive approach; prompts that inspired our writing; our collective “affirmative noises” throughout the session.

Like Maria, I had also hesitated attending, but not for the same reasons. I don’t have a “prejudice against poetry”. I dabble from time to time and submitted my Your House is Not My House poem as pages for a Restless Writers meeting not that long ago. I also don’t hate journalling. While I may not journal every day, I am an “out loud” thinker, and when no one wants to listen, my journal pages are always willing.

I hesitated to participate because my brain prefers the ordinary. On the evening in questions, she said, “You’ve worked a long day. You’re tired. Wouldn’t you rather settle in to a night of watching Derry Girls episodes? Plus, you’ll have to do the dishes if Maria is coming over.”

But Maria had texted and offered to bring wine. So, what was I going to do? Say no? That’s funny. And I’m glad she did – come over, I mean. Not just bring the wine. (That said, Riesling on a Tuesday evening is a nice treat.)

For me, the gift of Lynda’s workshop was allowing in quiet and connection. It was a needed opportunity to tell my work and home brains to take 60, go commiserate about me over their own glasses of wine, and let me enjoy mine.

Lynda talked about how visceral poetry is. That it cuts to the essence, reveals the unspoken and digs into the senses. She shared this quote by Allen Ginsberg, “Poetry slows me down and brings me back to myself.” For me, on that Tuesday, I didn’t realize how fast I’d been moving until I followed Lynda’s instruction to close my eyes, listen to her recite Mary Oliver’s Wild Geese poem and write down any words or lines that stood out to us. That’s when I felt my breath deepen, and my body settle into her voice as I became drawn in by the verse.

And in that open space, she invited us to paint our own pictures through the prompts she provided. “I dwell in the possibility of…” “Silence is like…” or to fill in the blanks, using Jane Kenyon’s Otherwise poem as a template. Some participants chose to share what had sprung up in their writing. Usually, I’m one of them, but on this night, I was with the others who chose to simply listen and absorb.

To me, poetry is about presence and play. Experiencing it and then toying with the words, the shapes, the sounds, the spaces. You can choose the structure of a haiku or dance freely with your own use of the page, colour, fonts.

Toward the end, Lynda summarized our experience in the “5 Things to Practice to Free Your Inner Poet”:

  1. Breathing
  2. Stillness
  3. Listening
  4. Receiving
  5. Giving

These were the reminders I forgot I needed. Through this workshop, I expanded and found new creative energy. Maria opened up her imagination.

I encourage you to give yourself the gift of a writing workshop. Many are free or inexpensive and offered by local libraries or authors looking to inspire other writers. Maybe pick one that isn’t in your usual wheelhouse. You can certainly take one alone, or better yet, invite a fellow writer who never comes empty handed.

When it was done, Maria and I shared what had resonated with us from the workshop. We also shared some of our own verses inspired by the prompts. Maria, who is skilled at bringing levity to the heavy, wrote a a melancholy piece about a solitary meal, mixed with a little gratitude for her cat.

“The cat and I ate dinner,” she recited stone faced. “Not the same dinner. We both had tuna.”

I burst out laughing at her unexpected ending. Maybe you had to be there, but it was hilarious and one of the highlights of the evening! After finding a tissue to wipe my tears, and saying goodbye to Maria, I pondered what may be my next poem: I dwell in the possibility of wine with a friend.

Cheers!

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Filed under Inspiration, Motivation, poetry, Writing ideas, Writing resources

The possibility of poetry

Fellow Restless Writer Andrea and I had signed up to attend a virtual workshop hosted by our local library called “Prompts to Find Your Inner Poet.” I almost didn’t join in, for two reasons: one, I am still working to get over my prejudice against poetry; and two, the workshop was being led by Lynda Monk, a coach, speaker, facilitator, and author who is passionate about journalling – and I hate journalling. (Raise your hand if you’ve ever felt traumatized by Julia Cameron and her morning pages.)

Fortunately, I gave myself a rousing pep talk, convinced myself that it was only for an hour, grabbed a bottle of wine, and headed over to Andrea’s house, so we could attend online together.

The workshop, held last week, was well attended – about 35 people – and Lynda gave a gracious, welcoming, and warm introduction to the workshop. She told us there would be writing exercises (which I was eager to dig into) and that “we are all poets in some way.”

If I had expected the event to be cringey, it wasn’t. Lynda opened by asking us to reflect on “what is poetry?” She described a type of literary expression that is resonant, captures beauty and emotion, helps us feel “aliveness” and connection, and speaks to the “unspoken”: the “spaces in between and around experiences, thoughts and feelings.” She outlined a plain language understanding of poetry that was immediately accessible.

Lynda shared one of her favourite poems – “Wild Geese” by Mary Oliver – and asked us to reflect on what stood out for us in the poem. A word, a phrase, a feeling? She shared that the poem evoked a sense of quiet, and that everyone needs to be able to access that kind of quiet in order to write.

She returned to this concept later in the session when she talked about the white space on one of the presentation slides. “Our creative selves need white space, where we can recognize what we have within our hearts to say.”

Throughout the session, Andrea and I would make little affirmative noises in response to some piece of insight that Lynda shared about poetic language. I found Lynda’s approach to talking about poetry, and encouraging each of us to explore new poetic prompts, to be the opposite of cringey. She was engaging, positive, non-critical, practical, and inclusive.

One takeaway for me was what Lynda had to say about the transformative effects of poetry. To paraphrase, poetic writing can transform what we’re feeling into something else (e.g. writing about a negative experience can turn it into a positive one), and poetic writing can transform ourselves, by altering our perceptions about our own experiences and emotions.

The writing exercises were intriguing and fun – Andrea and I agreed we should share the prompts at a future Restless Writers’ meeting.

  • Take the first line of your favourite poem, and use it as a prompt for your own poem. Lynda used Emily Dickinson’s “I dwell in Possibility” as the line prompt.
  • Use the structure of an existing poem as a template for your poem. “Otherwise” by Jane Kenyon was the perfect prompt to have us imagining our own alternate lives.
  • Cut words out of a magazine or newspaper, and paste them into poems in different shapes. (Ahem, an idea for the next Restless Writers’ holiday craft night?)
  • Create a “book spine poem.” This was another exercise Lynda encouraged us to try on our own time – you take books from your shelves, and make a poem out of their titles. Mine is below.

Principles still missing.
How did that happen?
The novel cure underland, surrounded by idiots, sediment in streams.
Do not disturb the big thing.

I’m thankful I talked myself into joining the workshop, and I’m thankful for Lynda’s generous and gentle approach. It opened up something in my imagination and in my writing that I might have been repressing. I’m looking forward to exploring more poetic writing this spring.

Maybe I’ll even give journalling another go. But no promises.

Which of the poetic prompts above will you try?

Maria

PS: Learn more about Lynda here.

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Filed under Inspiration, poetry